<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-22003888</id><updated>2011-04-23T05:28:01.330-07:00</updated><title type='text'>A Brief History of the BLACK POINT FILM FESTIVAL</title><subtitle type='html'>Wisconsin's first Independent Film Festival that ran from 2000-2005.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://bpff.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22003888/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://bpff.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>DAVID EAT WORLD</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_ncDZ_vHi_1M/SxVAzgbvyUI/AAAAAAAAA0g/10ei_cyPJ_Q/S220/Photo+5.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>3</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-22003888.post-113917704315550769</id><published>2006-02-01T00:01:00.000-08:00</published><updated>2006-02-05T14:17:55.966-08:00</updated><title type='text'>THE LIFE &amp; TIMES OF AN INDIE FESTIVAL</title><content type='html'>&lt;a href="http://photos1.blogger.com/blogger/2329/1818/1600/BPFF.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://photos1.blogger.com/blogger/2329/1818/400/BPFF.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div align="justify"&gt;The Black Point Film Festival was a project created out of frustration. In a country full of corporate run multiplexes, small towns like Lake Geneva, Wisconsin were lacking in anything outside the mainstream. Art house films that included Documentaries, Foreign language and small Indie films never came to town until they were released on DVD. &lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;Upon returning home from the Sundance Film Festival in January 2000 and being stranded in numerous airports due to weather, David Malsch would spend his waiting time in airport lounges in-between flights. By the time he finally flew back into Milwaukee, he was a drunk and full of ambitions on starting his own independent film festival.&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;With Lake Geneva being a premier location for a venture like this, David enlisted the help of his wife Lisa and close friends Richard Paro and Jo Anna Schwenning. Together they created what would become the Black Point Film Festival, the first and only Independent Film Festival in the state of Wisconsin.&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;The festival opened in April, 2002 to amazing numbers. All the promoting and work that went into the first year paid off with sold-out shows and packed after parties. They screened over 80 films in just under 3 days and put Black Point on the map for film festivals in America.&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;In April 2003, the success of the first year doubled the second year. Screening less films than the first year but better films attracted filmmakers from all over the world to compete in what was slowly becoming a festival to be noticed. The Parties were bigger, the films were better and the audiences were great.&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;In their 3rd year, the festival hooked up an with indie music label out of Chicago named Machine Records. This marriage of film and music was the perfect ingredient to vault this festival forward. With great films and even better parties at night that now included the best in independent music Black Point reached a new level.&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;One of the great things about Black Point was the involvement with world renowned film Critic Michael Wilmington. Michael was the festivals board of advisor(s) and helped promote and run the festival. His film expertise and support of the festival was inmesureable. He helped introduce and conduct Q&amp;amp;A's and did great seminars and talks about the past and future of film.&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;In 2005, the festival hit a snag by losing two of the founding directors. This put the bulk of planning and programming on David and Lisa. The biggest mistake Black Point made was by not going non-profit like they should have in the beginning. Since the festival had been finaincially supported by the founders alone, money was beginning to be a major hurdle in the future of the festival. A lack of support from the city officials of Lake Geneva also began to make things harder to continue. On May 1, 2005 the Black Point Film Festival had to end it's run on the final day of it's 4th year.&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;Festival founder and executive director David Malsch considers Black Point to be the proudest thing he had ever been a part of. The loss of the festival broke his heart and drove him over 2,000 miles away from it. The idea of staying in Wisconsin and not doing the festival was far too painful than he wanted to admit. In it's brief exisitance Black Point proved that in a society forced fed pop music and mainstream movies, there was a massive audience of people who appreciated and demanded smart independent cinema and music. &lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;While David refuses to ever completely kill off his festival, the hopes are that someday, somehow Black Point can live again. The lessons learned and the experiences alone have changed not only those involved but proved the importance of alternative media in a community. The festival began and ended with frustration but the memories and accomplishments were anything but.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/22003888-113917704315550769?l=bpff.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22003888/posts/default/113917704315550769'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22003888/posts/default/113917704315550769'/><link rel='alternate' type='text/html' href='http://bpff.blogspot.com/2006/02/life-times-of-indie-festival.html' title='THE LIFE &amp; TIMES OF AN INDIE FESTIVAL'/><author><name>DAVID EAT WORLD</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_ncDZ_vHi_1M/SxVAzgbvyUI/AAAAAAAAA0g/10ei_cyPJ_Q/S220/Photo+5.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-22003888.post-113917947360615341</id><published>2006-01-31T23:59:00.000-08:00</published><updated>2006-02-05T14:47:50.113-08:00</updated><title type='text'>BLACK POINT AWARD WINNERS</title><content type='html'>FEATURE FILM AWARDS&lt;br /&gt;&lt;br /&gt;2004: FUNNY HA HA&lt;br /&gt;PRODUCER: ETHAN VOGT&lt;br /&gt;HONORABLE MENTION: ASH TUESDAY&lt;br /&gt;(P: SHANNON GOLDMAN &amp; TONY SPIRIDAKIS)&lt;br /&gt;&lt;br /&gt;2003: GETTING OUT OF RHODE ISLAND&lt;br /&gt;PRODUCERS: CHRISTIAN DE REZENDES &amp;amp; RACHEL LANGLEY&lt;br /&gt;HONORABLE MENTION: DINNER &amp; A MOVIE&lt;br /&gt;(P: LISA KORS &amp;amp; RANDY SIMON)&lt;br /&gt;&lt;br /&gt;2002: THE ICELANDIC DREAM&lt;br /&gt;PRODUCERS: JULIUS KEMP &amp; JON F. THORODDSEN&lt;br /&gt;HONORABLE MENTION: JOYFUL PARTAKING&lt;br /&gt;(P: JAMES EATON &amp;amp; WILLIAM MOREING)&lt;br /&gt;&lt;br /&gt;DOCUMENTARY FILM AWARDS&lt;br /&gt;&lt;br /&gt;2005 (SHORT OR FEATURE): HUMMINGBIRD&lt;br /&gt;PRODUCER: HOLLY MOSHER&lt;br /&gt;HONORABLE MENTION: MARDI GRAS: MADE IN CHINA&lt;br /&gt;(P: DAVID REDMON)&lt;br /&gt;&lt;br /&gt;2004: DEADLINE&lt;br /&gt;PRODUCERS: DALLAS BRENNAN &amp; KATY CHEVIGNY&lt;br /&gt;HONORABLE MENTION: LOLITA: SLAVE TO ENTERTAINMENT&lt;br /&gt;(P: RATTLE THE CAGE PRODUCTIONS)&lt;br /&gt;&lt;br /&gt;2003: WHO COUNTS? ELECTION REFORM IN AMERICA&lt;br /&gt;PRODUCER: FRED SILVERMAN&lt;br /&gt;HONORABLE MENTION: FOUR BANGERS&lt;br /&gt;(P: MATT GOLIN)&lt;br /&gt;&lt;br /&gt;2002: CHAMPION BLUES&lt;br /&gt;PRODUCER: PAUL VIK MARSHALL&lt;br /&gt;HONORABLE MENTION: WANNABE: JUST A BOY &amp;amp; HER DREAM&lt;br /&gt;(P: DAN LUND)&lt;br /&gt;&lt;br /&gt;AUDIENCE AWARD WINNERS&lt;br /&gt;&lt;br /&gt;2004: DEADLINE&lt;br /&gt;PRODUCERS: DALLAS BRENNAN &amp; KATY CHEVIGNY&lt;br /&gt;HONORABLE MENTION: NOISE&lt;br /&gt;(P: LANCY DOTY, SHANNON GOLDMAN &amp;amp; TONY SPIRIDAKIS)&lt;br /&gt;&lt;br /&gt;2003: MY LIFE WITH MORRISSEY&lt;br /&gt;PRODUCERS: LYNN HOBSON &amp; CAROLYN SHAUSHKIN&lt;br /&gt;HONORABLE MENTION: FOUR BANGERS&lt;br /&gt;(P: MATT GOLIN)&lt;br /&gt;&lt;br /&gt;2002: DO IT FOR UNCLE MANNY&lt;br /&gt;PRODUCER: JOY CZERWONLY&lt;br /&gt;HONORABLE MENTION: RETURNING MICKEY STERN&lt;br /&gt;(P: JOSEPH BOLONGA &amp;amp; MICHAEL PRYWES)&lt;br /&gt;&lt;br /&gt;DIRECTING AWARDS&lt;br /&gt;&lt;br /&gt;2004: KATY CHEVIGNY &amp; KRISTEN JOHNSON for DEADLINE&lt;br /&gt;HONORABLE MENTION: ANDREW BUKALSKI for FUNNY HA HA&lt;br /&gt;&lt;br /&gt;2003: CHRISTIAN DE REZENDES for GETTING OUT OF RHODE ISLAND&lt;br /&gt;HONORABLE MENTION: LISA KORS for DINNER &amp; A MOVIE&lt;br /&gt;&lt;br /&gt;2002: WILLIAM MOREING for JOYFUL PARTAKING&lt;br /&gt;HONORABLE MENTION: ROBERT DOUGLAS for THE ICELANDIC DREAM&lt;br /&gt;&lt;br /&gt;ACTING AWARDS&lt;br /&gt;&lt;br /&gt;2004: TRISH GOFF in NOISE&lt;br /&gt;HONORABLE MENTION: KATE DOLLENMAYER in FUNNY HA HA&lt;br /&gt;&lt;br /&gt;2003: JACKIE BUSCARINO in MY LIFE WITH MORRISSEY&lt;br /&gt;HONORABLE MENTION: MARIANNE HAGEN in DINNER &amp;amp; A MOVIE&lt;br /&gt;&lt;br /&gt;2002: LYNWOOD ROBINSON in ONE BLOOD PLANET&lt;br /&gt;HONORABLE MENTION: JULIA D'ORAZIO in IN THE WAKE&lt;br /&gt;&lt;br /&gt;WRITING AWARDS&lt;br /&gt;&lt;br /&gt;2005: NICHOLAS O'NEILL for THEY WALK AMONG US&lt;br /&gt;&lt;br /&gt;2004: TONY SPIRIDAKIS for ASH TUESDAY&lt;br /&gt;HONORABLE MENTION: ROB GRAY &amp; JAY T. METZ for THREE BARBECUES&lt;br /&gt;&lt;br /&gt;2003: MATTHEW ANDERSON, DAVID FIELDS &amp;amp; JOHN GASPARD for GROWN MEN&lt;br /&gt;HONORABLE MENTION: MARK NEUMAN, KEVIN ZINNIEL &amp; SCOTT ZINNIEL for VISIONS OF A MISFIT&lt;br /&gt;&lt;br /&gt;2002: JERRY DECKER for ONE BLOOD PLANET&lt;br /&gt;HONORABLE MENTION: WARREN SKEELS for SURFACING&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ANIMATED SHORT AWARDS&lt;br /&gt;&lt;br /&gt;2005: HANDSHAKE&lt;br /&gt;DIRECTOR: PATRICK SMITH&lt;br /&gt;&lt;br /&gt;EXPERIMENTAL SHORT AWARDS&lt;br /&gt;&lt;br /&gt;2005: NOT TOO MUCH REMEMBER DIRECTOR: TONY GAULT&lt;br /&gt;HONORABLE MENTION: MAELSTROM (D: TERRY O'LEARY)&lt;br /&gt;&lt;br /&gt;2004: TEDDY'S END DIRECTOR: JAN PHILIP CRAMER&lt;br /&gt;HONORABLE MENTION: BEAT BOX PHILLY (D: WARREN BASS &amp;amp; LIZ GOLDBERG)&lt;br /&gt;&lt;br /&gt;COMEDIC SHORT AWARDS&lt;br /&gt;&lt;br /&gt;2005 (SHORT OR FEATURE): THE RUBBER ROOM&lt;br /&gt;DIRECTOR: MATTHEW HEINZE&lt;br /&gt;HONORABLE MENTION: BROADCAST 23 (D: TOM PUTNAM)&lt;br /&gt;&lt;br /&gt;2004: TOM HITS HIS HEAD DIRECTOR: TOM PUTNAM&lt;br /&gt;HONORABLE MENTION: THE FUTURE (D: CASIMIR NOZKOWSKI)&lt;br /&gt;&lt;br /&gt;2003: THE CLONES DIRECTOR: WILL CARLOUGH&lt;br /&gt;HONORABLE MENTION: HANG TIME (D: CRAIG GERBER)&lt;br /&gt;&lt;br /&gt;2002: INDEFINITELY DIRECTOR: MARC PILVINSKY&lt;br /&gt;HONORABLE MENTION: RITA, PIGBOY &amp; ME (D: ERIC GORDON)&lt;br /&gt;&lt;br /&gt;DOCUMENTARY SHORT AWARDS&lt;br /&gt;&lt;br /&gt;2005 (SHORT OR FEATURE): HUMMINGBIRD DIRECTOR: HOLLY MOSHER&lt;br /&gt;HONORABLE MENTION: MARDI GRAS: MADE IN CHINA (P: DAVID REDMON)&lt;br /&gt;&lt;br /&gt;2004: THE HOT 8 DIRECTOR: GREG SAMATA&lt;br /&gt;HONORABLE MENTION: AWAKE ZION (D: MONICA HAIM)&lt;br /&gt;&lt;br /&gt;2003: MITCH DORGE: DOWNSAMPLING PERCEPTION DIRECTOR: JOHN BARNARD&lt;br /&gt;HONORABLE MENTION: OCOEE: LEGACY OF THE ELECTION DAY MASSACRE (D: SANDRA KRASSA &amp;amp; BIANCA WHITE)&lt;br /&gt;&lt;br /&gt;2002: LIVE TRANSMISSION DIRECTOR: BARBARA BIRD&lt;br /&gt;HONORABLE MENTION: STATING THE ARTS IN MILWAUKEE (D: BROOKE MAROLDI)&lt;br /&gt;&lt;br /&gt;DRAMATIC SHORT AWARDS&lt;br /&gt;&lt;br /&gt;2005 (SHORT OR FEATURE): FAULT DIRECTOR: JUST SWIBEL&lt;br /&gt;HONORABLE MENTION: LAST NIGHT OF MARDI GRAS (D: NIKKI NIME)&lt;br /&gt;&lt;br /&gt;2004: NIGHT DAWN DAY DIRECTOR: MARC PILVINSKY&lt;br /&gt;HONORABLE MENTION: PASSING (D: ERIC SCHERBARTH)&lt;br /&gt;&lt;br /&gt;2003: GRETHEL &amp;amp; HANSEL DIRECTOR: RUSTY NAILS&lt;br /&gt;HONORABLE MENTION: PONY (D: ED-GASS DONNELLY)&lt;br /&gt;&lt;br /&gt;2002: THE QUARRY DIRECTOR: GREG CHWERCHAK&lt;br /&gt;HONORABLE MENTION: 4:53 (D: MARTIN PATCH)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;24-HOUR FILM CONTEST AWARD&lt;br /&gt;&lt;br /&gt;2004: WHAT THE WORLD NEEDS DIRECTOR: SHAWN SLAWSON&lt;br /&gt;HONORABLE MENTION: ROCK ON (D: ANNA KRUTZIK)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/22003888-113917947360615341?l=bpff.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22003888/posts/default/113917947360615341'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22003888/posts/default/113917947360615341'/><link rel='alternate' type='text/html' href='http://bpff.blogspot.com/2006/01/black-point-award-winners.html' title='BLACK POINT AWARD WINNERS'/><author><name>DAVID EAT WORLD</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_ncDZ_vHi_1M/SxVAzgbvyUI/AAAAAAAAA0g/10ei_cyPJ_Q/S220/Photo+5.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-22003888.post-113917974822671243</id><published>2006-01-31T12:58:00.000-08:00</published><updated>2006-02-06T13:01:26.236-08:00</updated><title type='text'>INDEX OF FILMMAKERS</title><content type='html'>&lt;span style="font-size:78%;"&gt;JOSHUA ADAMS&lt;br /&gt;HENRY AARON'S SUMMER UP NORTH, 2005&lt;br /&gt;&lt;br /&gt;TY ADAMS&lt;br /&gt;LIES, 2004&lt;br /&gt;&lt;br /&gt;JERRY AGUIRRE&lt;br /&gt;PLEAD, 2002&lt;br /&gt;&lt;br /&gt;NICKY AREZU AKMAL&lt;br /&gt;ARFF, 2002&lt;br /&gt;&lt;br /&gt;AUGUSTA&lt;br /&gt;THE VELVET HAMMER: BURLESQUE, 2004&lt;br /&gt;&lt;br /&gt;CHRIS BAILEY&lt;br /&gt;MAJOR DAMAGE, 2002&lt;br /&gt;&lt;br /&gt;JAMES BARANY&lt;br /&gt;MY MOST IMPORTANT SELF-PORTRAIT, 2005&lt;br /&gt;&lt;br /&gt;ADAM BARATTA&lt;br /&gt;DO IT FOR UNCLE MANNY, 2002&lt;br /&gt;&lt;br /&gt;KRIS BARBERG&lt;br /&gt;PSALM 51, 2003&lt;br /&gt;&lt;br /&gt;JOHN BARNARD&lt;br /&gt;CEMETERY LOVE STORY, 2003&lt;br /&gt;MITCH DORGE: DOWNSAMPLING PERCEPTION, 2003&lt;br /&gt;MUTUAL CADENCE, 2003&lt;br /&gt;&lt;br /&gt;WARREN BASS&lt;br /&gt;BEAT BOX PHILLY, 2004&lt;br /&gt;&lt;br /&gt;BENJAMIN BATES&lt;br /&gt;WHEW, 2004&lt;br /&gt;&lt;br /&gt;JIM BERNFIELD&lt;br /&gt;THE BEST THANKSGIVING EVER, 2003&lt;br /&gt;&lt;br /&gt;BARBARA BIRD&lt;br /&gt;LIVE TRANSMISSION, 2002&lt;br /&gt;&lt;br /&gt;DOUG BOLLINGER&lt;br /&gt;JUST LOVERS, 2002&lt;br /&gt;&lt;br /&gt;DAN BOOTZIN&lt;br /&gt;LIFE/DRAWING, 2003&lt;br /&gt;&lt;br /&gt;CHARLES BOROWICZ&lt;br /&gt;HIM HER ROLAND, 2003&lt;br /&gt;&lt;br /&gt;JEREMY BRAVERMAN&lt;br /&gt;LIFE IS SO EASY, 2003&lt;br /&gt;&lt;br /&gt;KEVIN BRUCE&lt;br /&gt;KGB AGENT 57, 2003&lt;br /&gt;3O PACK &amp; A CAMERA, 2004&lt;br /&gt;&lt;br /&gt;ANDREW BUJALSKI&lt;br /&gt;FUNNY HA HA, 2004&lt;br /&gt;&lt;br /&gt;DAVID CAIRNS&lt;br /&gt;THE RETURN OF PEG LEG PETE, 2004&lt;br /&gt;&lt;br /&gt;DAMIEN CALDWELL&lt;br /&gt;LINCOLN &amp;amp; 31ST, 2002&lt;br /&gt;&lt;br /&gt;DAVID CARAS&lt;br /&gt;FOUND MONEY, 2003&lt;br /&gt;&lt;br /&gt;WILL CARLOUGH&lt;br /&gt;THE CLONES, 2003&lt;br /&gt;&lt;br /&gt;TIM CARROLL&lt;br /&gt;THE NOVICE, 2005&lt;br /&gt;&lt;br /&gt;DAVID CASE&lt;br /&gt;MAYBE IT'S ME, 2002&lt;br /&gt;&lt;br /&gt;KIM CAVINESS&lt;br /&gt;TEMPTATION, 2003&lt;br /&gt;&lt;br /&gt;KATY CHEVIGNY&lt;br /&gt;DEADLINE, 2004&lt;br /&gt;&lt;br /&gt;JAMES CHO&lt;br /&gt;JUDDI RACER, 2002&lt;br /&gt;OFF CENTER LAS VEGAS, 2003&lt;br /&gt;&lt;br /&gt;GREG CHWERCHAK&lt;br /&gt;THE QUARRY, 2002&lt;br /&gt;&lt;br /&gt;MATTHEW CLOUSTON&lt;br /&gt;BONE JOBS, 2002&lt;br /&gt;&lt;br /&gt;ANGEL CONNELL&lt;br /&gt;STOCKING STUFFERS, 2003&lt;br /&gt;&lt;br /&gt;BRUNO COPPOLA&lt;br /&gt;STUFF THAT BEAR!, 2004&lt;br /&gt;&lt;br /&gt;CHUCK COPPOLA&lt;br /&gt;THE EASTLAND DISASTER, 2003&lt;br /&gt;&lt;br /&gt;MATT CORRADO&lt;br /&gt;DIE FREE WILL, 2004&lt;br /&gt;&lt;br /&gt;JAN PHILIP CRAMER&lt;br /&gt;TEDDY'S END, 2004&lt;br /&gt;&lt;br /&gt;STEPHANIE DANIELS&lt;br /&gt;SOAKED, 2005&lt;br /&gt;&lt;br /&gt;CHRISTIAN DE REZENDES&lt;br /&gt;41, 2005&lt;br /&gt;GETTING OUT OF RHODE ISLAND, 2002&lt;br /&gt;&lt;br /&gt;JERRY DECKER&lt;br /&gt;ONE BLOOD PLANET, 2002&lt;br /&gt;&lt;br /&gt;JOE DENK&lt;br /&gt;I WAS A MATHLETE UNTIL I MET MARGO MARRIS, 2004&lt;br /&gt;&lt;br /&gt;NANCY DEREN&lt;br /&gt;HOME, 2004&lt;br /&gt;&lt;br /&gt;CHRISTOPHER DINNAN&lt;br /&gt;ZEITGEIST, 2003&lt;br /&gt;&lt;br /&gt;ROBERT I. DOUGLAS&lt;br /&gt;ICELANDIC DREAM, 2002&lt;br /&gt;&lt;br /&gt;ADAM DUBIN&lt;br /&gt;AMERICAN DUMMY, 2002&lt;br /&gt;&lt;br /&gt;KERRY DOUGLAS DYE&lt;br /&gt;ULTRACHRIST!, 2003&lt;br /&gt;&lt;br /&gt;TRISHA EBERLE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;HIM HER ROLAND, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;GRAHAM ELWOOD&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;HELLO JUNKIE!, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ROD J. EMELLE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;WHAT WOULDN'T JESUS DO?, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BRIAN EVANS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;AMAZILIA, 2004&lt;br /&gt;&lt;br /&gt;BILL FEREHAWK&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;LUSTRON: THE HOUSE AMERICA'S BEEN WAITING FOR, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DAVID FLEER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;NO SLEEP 'TIL MADISON&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MIKE FLEISCH&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;TO EAT, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ALBA FRANCESCA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;A MOMENT OF GRACE, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DEREK FRANK&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BY ANY OTHER, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;CHRISTOPHER FRIERI&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;B-REEL, 2002&lt;br /&gt;&lt;br /&gt;ED GASS-DONNELLY&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DYING LIKE OPHELIA, 2003&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;POLISHED, 2003&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;PONY, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JOHN GASPARD&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;GROWN MEN, 2003&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;TONY GAULT&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;NOT TOO MUCH REMEMBER, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MARK G.E.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DARK COMEDY FOR BRIGHT MINDS&lt;br /&gt;MIDWESTERN GOTHIC &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;CRAIG GERBER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;HANG TIME, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ERIC GERBER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ALDARA, 2004&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;WHAT REMAINS, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;LISA GILDEHAUS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;HELL IS OTHER PEOPLE, 2003&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ORACLE OF OMAHA, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;LIZ GOLDBERG&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BEAT BOX PHILLY, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MATT GOLIN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;FOUR BANGERS, 2003&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;RANDALL GOOD&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;HANNAH CAN'T SWIM, 2003&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SHOWER, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;GABRIELLE GOODSTEIN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SUN ALWAYS SHINING: THE ART &amp; LIFE OF KENNETH WILLIAMS, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ERIC GORDON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;RITA, PIGBOY &amp;amp; ME, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;TIM GORSKI&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;LOLITA: SLAVE TO ENTERTAINMENT, 2004&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;PATRICK GRANDAW&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MELTING GLASS, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;STEVE GRASSE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE BIKINI BANDITS EXPERIENCE, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ROB GRAY&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THREE BARBECUES, 2004&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;br /&gt;GEOFF GRUETZMACHER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ONE TRUE HOPE, 2002&lt;br /&gt;&lt;br /&gt;MONICA HAIM&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;AWAKE ZION, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DAVE HALDMAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SEASONS OF A WISCONSIN MILL, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SCOTT HARO&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BRUISED, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JORG HEBGEN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BLACK DEMON 2, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MATTHEW HEINZE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;CASE OF ILLNESS, 2004&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;KGB AGENT 57, 2003&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;PRESENT PERFECT, 2002&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE RUBBER ROOM, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DAVID LEE HENDRICKSON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;A REMARKABLE MAN, 2005&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;VENUS DE MILO, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JIM HERSHLEDER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ASH TUESDAY, 2004&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;R.T. HERWIG&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE GOOD THIEF, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;TODD HEYMAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;WHOLLY MOSES, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;NIC HILL&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;PIECE BY PIECE, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;TODD HODGES&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;STUNT COCKS, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;LARS HUBRICH&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;AN ADVANCE ON LIFE, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BOB HURST&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BLOOM, 2003&lt;br /&gt;&lt;br /&gt;KRISTEN JOHNSON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DEADLINE, 2004&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ERICA JORDAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;IN THE WAKE, 2002&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;GEORGE KACHADORIAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DIVINING MOM, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;YOHEI KAWAMATA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE HAIRS, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;KALI KARAGIAS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;CHANNEL SURFING, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;CATHY KAROL&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ROBOTS IN FOR NO REASON AT ALL IN C, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;TOM KEEFE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;PRETENDER'S DANCE, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JACK KENNY&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;TOWN DIARY, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BILL KERSEY&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;87 TOPAZ, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;HARDEEP KHARBANDA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;UP, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;WAYNE KIMBALL&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE TERROR OF THE INVISIBLE MAN, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JEREMIAH KIPP&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE CHRISTMAS PARTY, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JUDI KNEECE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SEASONS OF A WISCONSIN MILL, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;LISA KORS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DINNER AND A MOVIE, 2003&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;RYAN KORTMAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;HEAD TURNER, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SANDRA KRASSA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;OCOEE: LEGACY OF THE ELECTION DAY MASSACRE, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MICHAEL KRIVICKA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SUBWAY MELODIES, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ANNA KRUTZIK&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ROCK ON, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BILL KUBOTA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;LUSTRON: THE HOUSE AMERICA'S BEEN WAITING FOR, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;KURT KUENNE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DRIVE-IN MOVIE MEMORIES, 2002&lt;br /&gt;&lt;br /&gt;LARRY LaFOND&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;GAYDAR, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MATTHEW LANOUE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;POISON PROSPECT, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BRUCE LaPOINTE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;TWO SUMMERS, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;CHAD LARYS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;3O PACK &amp; A CAMERA, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JACOB LEE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE SUBLIMINAL EFFECTS OF NATURAL FORM, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ZACHARY LEE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DISTANCE = RATE (TIME), 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DAVID LIBON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SMITHEE'S LECTURE, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;RICHARD J. LIUKIS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;TASTE IT ALL, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;GARY M. LUMPP&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE ROAD TO, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DAN LUND&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;WANNABE: JUST A BOY &amp;amp; HER DREAM, 2002&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;PETER LYDON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE PETER SELLERS STORY: AS HE FILMED IT, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JENNIFER LYTER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BOTOX, 2005&lt;br /&gt;&lt;br /&gt;BROOKE MAROLDI&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DEATH OF A CORNER DRUGSTORE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;8MM DREAMS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;STATING THE ARTS IN MILWAUKEE, 2002&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;WAITING FOR HOUDINI&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MATIAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DAUBIT CRIGH, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;TODD McCAMMON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;HEAVEN, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;PETE McPARTLAND JR.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SUNNY &amp; DIANE, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;KEVIN MEISTER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BONE JOBS, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;CHRIS METZLER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;PLAGUES &amp;amp; PLEASURES ON THE SALTON SEA, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BOBBY MILLER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;STUBBS &amp; ROGERS BIG 3-D ADVENTURE, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ERIK MOE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;NO SLEEP 'TIL MADISON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;WILLIAM MOREING&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JOYFUL PARTAKING, 2002&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;RAZZ MORESLY&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;UP MICHIGAN, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;HOLLY MOSHER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;HUMMINGBIRD, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;HARVEY MOSHMAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE EASTLAND DISASTER, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JOHN MOSSMAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SPACEMAN DAN'S 243RD FLIGHT, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JIM MURACO&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;WISCONSIN BORN &amp; BRED: THE ENTERTAINERS, 2004&lt;br /&gt;&lt;br /&gt;RUSTY NAILS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ACNE, 2004&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;GRETHEL &amp;amp; HANSEL, 2003&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE RAMONES &amp; I, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;NEIL IRA NEEDLEMAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MY FIRST FILM NOIR, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JEFF NEWTON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;WHEW, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;PETER NICKISCHER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;LIVE TRANSMISSION, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MATT NIE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;GOOD STUFF: THE STORY OF A MAN, A DREAM &amp;amp; A WHOLE LOTTA KITES, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;NIKKI NIME&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;LAST NIGHT OF MARDI GRAS, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;KATI NIVELT&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;RETURN, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BRENT NOTBOHM&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MY LIFE BY WATER, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JEFF NOVICH&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE BIG SHIT, 2002&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JEFF MAKES A MOVIE, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;CASIMIR NOZKOWSKI&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE FUTURE, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;GARY NULL&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;FATAL FALLOUT, 2003&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SUPERCHARGE YOUR IMMUNE SYSTEM, 2003&lt;br /&gt;&lt;br /&gt;MICHAEL OFF&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BRUISED, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;TERRY O'LEARY&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MAELSTROM, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JOHNNY O'REILLY&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE TERMS, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;CHRISTIAN OTJEN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;LADY IN THE BOX, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ANDREW OVERTOOM&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MY LIFE WITH MORRISSEY, 2003&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;br /&gt;DENIZ OZUYGUR&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;EPHEALTES, 2004&lt;br /&gt;&lt;br /&gt;SURUCHI PAHWA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;UP, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;CHAD S. PARK&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;UP, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;RICHARD PARO&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;HAUNTING PERPETUALLY DEAD SQUIRRELS, 2002&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;AN OBVIOUS MOMENT OF HAPPINESS, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MARTIN PATCH&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;4:53, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ERIC PATRICK&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ABLUTION, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;CRAIG PAULSEN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ROMP, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ALISA PERSONS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;OULU GLASS, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MARCUS PETERSON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SYNTONISM, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;HARPER PHILBIN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;FLICKERING BLUE, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SCOTT PHILIPS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;IT JUST IS, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;REX PIANO&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE MONTH OF AUGUST, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MIGUEL PICKER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MICKEY MOUSE MONOPOLY, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MARC PILVINSKY&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;INDEFINITELY, 2002&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;NIGHT DAWN DAY, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JOHN PLAUSSE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BRAVO, GIORGIO!, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;CYRA K. POLIZZI&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MORE THAN GRAVITY, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;STU POLLARD&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;NICE GUYS SLEEP ALONE&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;WILLIAM POVLETICH&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;HENRY AARON'S SUMMER UP NORTH, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ALAN PRICE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;OVERPASS, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MICHAEL PRYWES&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;RETURNING MICKEY STERN, 2002&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;TOM PUTNAM&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BROADCAST 23, 2005&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;TOM HITS HIS HEAD, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;CHRISTINA PUZZILLA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ON STEEL RAILS, 2002&lt;br /&gt;&lt;br /&gt;PAUL QUINN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;NEVER GET OUTTA THE BOAT&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;PEGEEN QUINN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;FREAMH, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JENNIFER QUINTENZ&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;KARMA, INCORPORATED, 2003&lt;br /&gt;&lt;br /&gt;DAVID REDMON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MARDI GRAS: MADE IN CHINA, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;NOAH RIEMER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MOST WONDERFUL PEOPLE, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ALETHA RODGERS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;CHAMPION BLUES, 2002&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JESSE ROESLER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SORTING OUT ED, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ADAM ROFFMAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE TERROR OF THE INVISIBLE MAN, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;NICK ROGERS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MRS. PILGRIM GOES TO HOLLYWOOD, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;GYEONG-TAE ROH&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;REINCARNATION, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ANDREW ROSAS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;TWO WILL FLY, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DEAN ROWE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BECOMING GIANTS, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;PETER RUDY&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;NO SLEEP 'TIL MADISON &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JASON RUSSELL&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;FLY, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SEOKHAN RYU&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;FREE SPECTRA, 2004&lt;br /&gt;&lt;br /&gt;GREG SAMATA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE HOT 8, 2004&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ISLAND, 2004&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE LAST DANCE, 2005&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;VERITUE NUE, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DANNY SANCHEZ&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE BOOGEY MAN, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;NANCY SAVOCA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;RENO: REBEL WITHOUT A PAUSE&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JON C. SCHEIDE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE ROSE TECHNIQUE, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ERIC SCHERBARTH&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;PASSING, 2004&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE SECOND, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JOSH SEEHAFER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;WATER &amp; STEEL, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JIM SHARKEY&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE FOURTEENTH SHOP, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;CHRIS SHERIDAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE NOVITATE, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JOSH SHUMAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ZOME, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;FRED SILVERMAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;WHO COUNTS? ELECTION REFORM IN AMERICA, 2003&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SHAWN SLAWSON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;WHAT THE WORLD NEEDS, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;COURTNEY SMITH&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;B.D.S.M. ALTERNATIVE LOVING, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;KRISTIN SOLID&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MATCH SCRATCH FEVER, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JOHN SORIA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;PARADISE LOUNGE, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;KAREN SOSNOSKI&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;WEDDING ADVICE: SPEAK NOW OR FOREVER HOLD YOUR PEACE, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;TONY SPIRIDAKIS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;NOISE, 2004&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JEFF SPRINGER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;PLAGUES &amp; PLEASURES ON THE SALTON SEA, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;PETER STASS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MAYBE IT'S ME, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JUSTIN LEONARD STAUBER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DID YOU EVER, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ANDREW STEVENSON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MY PART OF TOWN, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JEFF STOLHAND&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MASTER OF THE GAME&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JUSTIN SWIBEL&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;FAULT, 2005 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ELIZABETH SZEKERESH&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;IT'S A PLEASURE, 2005&lt;br /&gt;&lt;br /&gt;CHRIS TASHIMA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DAY OF INDEPENDENCE, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;TAMARA TRACZ&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BEACHCOMBERS, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;STEVEN K. TSUCHIDA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;A NINJA PAYS HALF MY RENT, 2004&lt;br /&gt;&lt;br /&gt;MARY UNGERLEIDER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MANDRAKE: A MAGICAL LIFE, 2002&lt;br /&gt;&lt;br /&gt;DEBORAH VANCELETTE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BLINK, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;TONY VIDAS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ANOTHER CARELESS MAN, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;PAUL VOGELMAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SYNTONISM, 2003&lt;br /&gt;&lt;br /&gt;ANTHONY WALL&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE PETER SELLERS STORY: AS HE FILMED IT, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MARA WALLIS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ENTERTAINING VIETNAM, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JONATHAN WALTER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;LOVE &amp;amp; FATE, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DAVID WARD&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE FALL OF SHUG MCCRACKEN, 2004 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SAJIT WARRIER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SHOO FLY, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;ROBERT WELKNER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;PENNYMAN, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BIANCA WHITE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;OCOEE: LEGACY OF THE ELECTION DAY MASSACRE, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JOHN WHITNEY&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SOLVE FOR X, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;STEPHEN WILLIAMS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;GO TELL MAMA, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;J. BRAD WILLIE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DOWNSIZING, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JOSHUA WILLIE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;NOVELLA, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;DAN WILSON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;A MODEL WOMAN, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;E.S. WOCHENSKY&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;JUST LIKE GOLF, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;MICHAEL WOLINSKI&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE AFTER SCHOOL SPECIAL, 2003&lt;br /&gt;&lt;br /&gt;THE YES MEN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;THE HORRIBLY STUPID STUNT, 2002&lt;br /&gt;&lt;br /&gt;HAMMAD ZAIDI&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;BAPTIZED AT LUCKY LUBE, 2002 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;FRED ZEYTOONJIAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;WEDDING ADVICE: SPEAK NOW OR FOREVER HOLD YOUR PEACE, 2003 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;KEVIN ZINNIEL&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;VISIONS OF A MISFIT, 2003&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;CRAIG ZOBEL&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;SURFACING, 2002&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/22003888-113917974822671243?l=bpff.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22003888/posts/default/113917974822671243'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22003888/posts/default/113917974822671243'/><link rel='alternate' type='text/html' href='http://bpff.blogspot.com/2006/01/index-of-filmmakers.html' title='INDEX OF FILMMAKERS'/><author><name>DAVID EAT WORLD</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_ncDZ_vHi_1M/SxVAzgbvyUI/AAAAAAAAA0g/10ei_cyPJ_Q/S220/Photo+5.jpg'/></author></entry></feed>
